Wednesday, October 14th at 8pm:
The Jazz Record Art Collective presents the Paul Mutzabaugh Quartet performing Pat Martino's "Interchange", released in 1994. The livestream performance will also feature live painting from visual artist Arthur Wright.

ALBUM BACKGROUND:
"The set here is a mixture of ballads and a few mid-tempo hard bop/post-bop numbers. While the temperature is not nearly as hot as his earlier work, the overall results prove to be more seasoned and mature sounding than anything he has ever recorded before. This recording was the first of many during the '90s, thanks to an entirely new generation discovering the genius of Pat Martino." -Wiki

PERFORMANCES BY:
Paul Mutzabaugh - Piano
Neal Alger - Guitar
Larry Kohut - Bass
Greg Artry - Drums

LIVESTREAM ACCESS:
youtube.com/fultonstreetcollective

Monday, October 19th at 8pm:
The Jazz Record Art Collective is proud to present a livestream performance with the McCullough/Shultz Quintet performing John Scott's "I'm Drifting Apart", released in 1987. The night will also feature live painting from visual artist John Ross Wilson.

ALBUM BACKGROUND:
"John "Dok" Scott (1939-2020) was a trumpet player, composer, and endodontist who performed in Boston, Chicago, and Champaign-Urbana, IL between 1960 and 1999....In his early college years at Grinnell College in Grinnell, Iowa, John was privileged to have briefly played with pianist Herbie Hancock's small group. He collaborated with Hancock on at least three compositions, two of which were subsequently recorded by Hancock on the Blue Note label."

PERFORMANCES BY:
Ryan Shultz - Bass Trumpet
Chad McCullough - Trumpet
Paul Mutzabaugh - Piano
Larry Kohut - Bass
Eric Montzka - Drums

LIVESTREAM ACCESS:
youtube.com/fultonstreetcollective

Wednesday, October 21st at 8pm:
The Jazz Record Art Collective is proud to present a livestream performance with the Luke Malewicz Quintet performing Frank Rosolino's "Free For All", released in 1958!

ALBUM BACKGROUND:
“The fine bop trombonist Frank Rosolino teams up with tenor saxophonist Harold Land and a West Coast rhythm section (pianist Victor Feldman, bassist Leroy Vinnegar and drummer Stan Levey) for a set of standards and melodic group originals. Originally cut for Specialty, the formerly rare session has its strong moments although it is not really all that essential but fans of Rosolino and Land will want to get it.”
-Scott Yanow

PERFORMANCES BY:
Luke Malewicz - Trombone
Rich Moore - Tenor Saxophone
Kevin Fort - Piano
Matt Ulery - Bass
Jon Deitemyer - Drums ​

LIVESTREAM ACCESS:
youtube.com/fultonstreetcollective

Wednesday, August 5th at 8pm:
The Jazz Record Art Collective is proud to welcome the Andy Baker Sextet for a livestream performance of Wayne Shorter's 1967 release, “Schizophrenia”. The night will also include an installation and live painting from visual artist Micah Rademacher!

ALBUM BACKGROUND:
"Wayne Shorter was at the peak of his creative powers when he recorded Schizophrenia in the spring of 1967. ...Shorter found a band that was capable of conveying his musical "schizophrenia," which means that this is a band that can play straight just as well as they can stretch the limits of jazz... And "unpredictable" is the operative phrase for this set of edgy post-bop. Shorter's compositions (as well as James Spaulding's lone contribution, "Kryptonite") have strong themes, but they lead into uncharted territory, constantly challenging the musicians and the listener. This music exists at the border between post-bop and free jazz -- it's grounded in post-bop, but it knows what is happening across the border. " - Stephen Thomas Erlewine

PERFORMANCES BY:
Geof Bradfield - Tenor Alto
Greg Ward - Alto/Flute
Andy Baker - Trombone
Reggie Thomas - Piano
Clark Sommers - Bass
Dana Hall - Drums

LIVESTREAM ACCESS:
https://www.facebook.com/events/364853001164582/

Thursday July 16th at 7pm:
The Jazz Record Art Collective is proud to present Mardra & Reggie Thomas performing Billie Holiday's "Lady in Satin", released in 1958. The evening will also feature live painting from visual artist, Kristin Wenc!

ALBUM BACKGROUND:
"Lady In Satin (1958) is Billie’s penultimate album completed in her lifetime. Produced by Irving Townsend, and engineered by Fred Plaut, its sound is sensuous, rich and swelling with emotion...(the album} consists of songs Holiday had never recorded before, including the transcendent “You’ve Changed” and “I’m A Fool To Want You”, with arrangements by bandleader Ray Ellis. Holiday had loved his “Ellis in Wonderland” album and specifically asked to work with him. Soloists on the album included Mel Davis, Urbie Green, and bebop trombone pioneer J.J. Johnson."
~billieholiday.com

LIVESTREAM ACCESS:
https://www.facebook.com/events/744756266352900/ 

Wednesday July 8th at 7pm:
This month we continue our Facebook livestream performances with the Shultz/McCullough Quartet performing Larry Young's “Unity”, released in 1966. The evening will also feature a live art showcase by John Ross Wilson!

ALBUM BACKGROUND:
"Recorded in 1965, The title was chosen by Young because "although everybody on the date was very much an individualist, they were all in the same frame of mood. It was evident from the start that everything was fitting together." The album was Young's second for Blue Note, following on from Into Somethin'....Scott Yanow states that Unity "is considered Larry Young's finest recording." Billboard Magazine called the album "a sureshot for jazz fans". The Penguin Guide to Jazz awarded it a rare crown and four-star rating, describing it as "Quite simply a masterpiece." Also, saxophonist Michael Brecker referred to the album as a favorite of his."
~Wikipedia

PERFORMANCES BY:
Chad McCullough - Trumpet
Ryan Shultz - Bass Trumpet
Karl Montzka - Organ
Eric Montzka - Drums  

LIVESTREAM ACCESS:
https://www.facebook.com/events/198547778091473/

Wednesday July 1st at 7pm:
This month we continue our Facebook livestream performances with Alyssa Allgood and Mike Allemana performing Ella Fitzgerald and Joe Pass’ “Easy Living”, released in 1986! The evening will also feature live painting from visual artist Alex Puryear.

ALBUM BACKGROUND:
“Easy Living was the fourth and final release Pass and Fitzgerald offered, putting to rest one of the best guitar/vocalist combinations in jazz music history. The original set of songs here continues to stand gloriously as the chemistry between both Pass and Fitzgerald remains as palpable today as it did in the '70s or '80s… Easy Living is a captivating example of an artist's ability to adapt with age, maturity, time and obstacles all while still hanging on to an identity that is most certainly unparalleled”
~Colin McGuire

LIVESTREAM ACCESS:
https://www.facebook.com/events/599223384034375/

Thursday, June 11th at 7pm:
The Jazz Record Art Collective is proud to present Mike Allemana performing Derek Bailey's "Ballads", released in 2002. The night will also include live painting by visual artist, Karol Hilker.

ALBUM BACKGROUND:
"Ballads is stunningly gorgeous, lovely melodies like "Laura" being passionately stroked even as they abut against Bailey's questioning angularities and brusque, impolite commentary. The pure sound he elicits from his acoustic guitar is mouthwatering, so reverberant and alive. When he absolutely wrenches the melody of "Stella By Starlight" from the poor body of his instrument, it's enough to leave one gasping. And longtime Bailey fans might simply shake their heads in disbelief when he strums with schmaltz -- as well as beauty -- the sentimental theme from "My Buddy" before taking it on a circuitous walk. Whether one is glad or distressed that he chose to dip his toes into these waters, Ballads is a singularly lovely recording, one that certainly stands out in Bailey's oeuvre and one that is nigh impossible not to smile about and linger over. "
~Brian Olewnick

Performance Access Link:
https://www.facebook.com/events/682800652290858/

Thursday, June 18th at 6pm:
The Jazz Record Art Collective is proud to present Petra Van Nuis, Andy Brown and Joe Policastro performing Julie London's "Julie Is Her Name", released in 1955. The night will also include live painting by visual artist, Kristin Wenc.

ALBUM BACKGROUND:
"For a time, Julie London was as famous for her sexy album covers as for her singing. Her debut is her best, a set of fairly basic interpretations of standards in which she is accompanied tastefully by guitarist Barney Kessel and bassist Ray Leatherwood. "Cry Me a River" from this album, was her biggest hit, and her breathy versions of such numbers as "I Should Care," "Say It Isn't So," "Easy Street," and "Gone with the Wind" are quite haunting."
~Scott Yanow

Performance Access Link:
​https://www.facebook.com/events/1067665410281936/

Wednesday, June 24th at 7pm:
The Jazz Record Art Collective is proud to present Carl Kennedy performing Mary Lou Williams' "Zodiac Suite", released in 1945. The evening will also feature live painting from visual artist Abena Motaboli.

ALBUM BACKGROUND:
"Mary Lou Williams' Zodiac Suite, a 12-piece work with a different theme made for each of the signs of the zodiac (and keeping in mind the personalities of a few jazz musicians born during each period), was composed and first recorded in 1945. With the assistance of bassist Al Lucas and drummer Jack "The Bear" Parker, pianist Williams performs these moody and often introspective (but occasionally playful) sketches in a forward-looking swing style. Six alternate takes have been added to the original program on this CD reissue which, although not quite essential, has its interesting moments. "
~Scott Yanow


Performance Access Link:
https://www.facebook.com/events/1335215600006984/

Wednesday, March 11th at 9pm:
The Jazz Record Art Collective is proud to present the Eric Binder Quartet performing Pete La Roca’s 1965 release "Basra".

ALBUM BACKGROUND:
“It is strange to realize that drummer Pete La Roca only led two albums during the prime years of his career, for this CD reissue of his initial date is a classic. La Roca's three originals ("Basra," which holds one's interest despite staying on one chord throughout, the blues "Candu," and the complex "Tears Come From Heaven") are stimulating but it is the other three songs that really bring out the best playing in the quartet (which is comprised of tenor saxophonist Joe Henderson, pianist Steve Kuhn, and bassist Steve Swallow in addition to La Roca). "Malaguena" is given a great deal of passion, Swallow's "Eiderdown" (heard in its initial recording) receives definitive treatment, and the ballad "Lazy Afternoon" is both haunting and very memorable; Henderson's tone perfectly fits that piece.”
~Scott Yanow

PERFORMANCES BY:
Eric Binder - Drums
Matthew Muneses - Tenor
Lara Driscoll - Piano
Sam Peters - Bass

ADMISSION & LOCATION:
$10 admission. Cash only.
Doors open at 8pm. Show starts at 9pm.
This music series is supported by Candid Wines.

The Fulton Street Collective
Located in the Hubbart Street Lofts
1821 W. Hubbard St. (3rd Floor)
Chicago, IL 60612
(773) 852 2481

Wednesday, February 19th at 9pm:
The Jazz Record Art Collective is excited to present the Madsen/Bradfield Quintet performing Eddie Davis & Johnny Griffin’s "Lookin' at Monk!", released in 1961.

ALBUM BACKGROUND:
“Originally recorded in 1961, this tribute program features two of the best tenor saxophonists of the period along with pianist Junior Mance and a rhythm section composed of bassist Larry Gales and drummer Ben Riley (both of whom would later work as Thelonious Monk sidemen). If the program seems a bit obvious ("'Round Midnight," "Epistrophy," "Well, You Needn't," etc.), bear in mind that this was only the second all-Monk program anyone had recorded and several of these numbers had yet to attain standard status. The playing is uniformly inventive and witty (both required attributes when approaching this repertoire), and Mance is particularly to be commended for maintaining a graceful and elegant attack and not trying to praise Monk by imitation.” -Rick Anderson

PERFORMANCES BY:
Chris Madsen - Tenor
Geof Bradfield - Alto
Reggie Thomas - Piano
Dennis Carrol - Bass
George Fludas - Drums

Featured Artist - Lewis Achenbach 

ADMISSION & LOCATION:
$10 admission. Cash only.
Doors open at 8pm. Show starts at 9pm.
This music series is supported by Candid Wines.

The Fulton Street Collective
Located in the Hubbart Street Lofts
1821 W. Hubbard St. (3rd Floor)
Chicago, IL 60612
(773) 852 2481

Wednesday, February 5th at 9pm:
The Jazz Record Art Collective is proud to present the Chris Greene Quintet performing Stan Getz' "Captain Marvel", released in 1974.

ALBUM BACKGROUND:
“One of the more remarkable aspects of Stan Getz's (1974) masterpiece is just how organic he was able to keep the sound. The band surrounding Getz on this Columbia date was led by Chick Corea with his Return to Forever (electric) bassist Stanley Clarke, drummer Tony Williams, and Brazilian master percussionist Airto Moreira. This band, combining as it did the restlessness of electric jazz with Getz's trademark stubbornness in adhering to those principles that made modern jazz so great, made for a tension that came pouring out of the speakers with great mutual respect shining forth from every cut -- especially the steamy Latin-drenched title track. Captain Marvel is arguably the finest recording Getz made during the 1970s.”
~Thom Jurek

PERFORMANCES BY:
Chris Greene - Saxophones
Damian Espinosa - Piano/Keyboards
Marc Piane - Electric Bass
Steve Corley - Drums
TBA - Percussion​

ADMISSION & LOCATION:
$10 admission. Cash only.
Doors open at 8pm. Show starts at 9pm.
This music series is supported by Candid Wines.

The Fulton Street Collective
Located in the Hubbart Street Lofts
1821 W. Hubbard St. (3rd Floor)
Chicago, IL 60612
(773) 852 2481

Wednesday, December 18th at 9pm:
The Jazz Record Art Collective is proud to present the return of the Michael Nearpass Large Ensemble performing Duke Ellington’s jazz interpretation of "The Nutcracker Suite" by Tchaikovsky.

ALBUM BACKGROUND:
"The Nutcracker Suite was recorded for the Columbia label in 1960 with arrangements by Duke Ellington and Billy Strayhorn. Although the album was created directly from Tchaikovsky's work, the two composers didn't lean on Tchaikovsky for anything beyond the strength of a melody. 

In "Dance of the Reed-Pipes," considerations had to be made because there were no flutes in the Ellington band so the composition was rescored for two clarinets, written into a thicket of poking, overlapping brass lines. In the ''Dance of the Sugar Plum Fairy," rather than adapting  Tchaikovsky's celeste theme to Ellington's piano, the jazz composers wrote it for baritone and tenor saxophone. In the ''Waltz of The Flowers'' they let the stiffness out of the ''March'' in exchange for a loose, uptempo swing." - Ben Ratliff, New York Times.

PERFORMANCES BY:
Reeds: Brent Griffin, Artie Black, Hunter Diamond, Dustin Laurenzi, Alex Blomarz
Trumpets:  John Moore, Drew Hansen, Chad McCullough 
Trombones:  Luke Malewicz, Josh Torrey, Michael Nearpass 
Piano: Carl Kennedy
Bass: Katie Ernst
Drums: Clif Wallace

ADMISSION & LOCATION:
$10 admission. Cash only.
Doors open at 8:30pm. Show starts at 9pm.
This music series is supported by Candid Wines.

The Fulton Street Collective
Located in the Hubbart Street Lofts
1821 W. Hubbard St. (3rd Floor)
Chicago, IL 60612
(773) 852 2481